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漢語(yǔ)言文學(xué)畢業(yè)論文(絕對(duì)原創(chuàng))
也無(wú)風(fēng)雨也無(wú)晴——從《玉卿嫂》到《永遠(yuǎn)的尹雪艷》看白先勇的命運(yùn)意識(shí)的轉(zhuǎn)變 內(nèi)容摘要偉大的作家必然在他的作品中融入個(gè)人的生命體驗(yàn)，而偉大的作品也必然反映著作家的心靈感悟．作家白先勇和他的作品無(wú)疑體現(xiàn)了這一點(diǎn)．白先勇的命運(yùn)意識(shí)隱含在他的作品中，從初探到成熟，在具有代表性的文本的對(duì)比分析下，我們可以清晰地發(fā)現(xiàn)白先勇命運(yùn)意識(shí)由懵懂到覺醒，由困頓到覺悟，由挫折到命定，由激烈到平淡的轉(zhuǎn)變的軌跡。作者認(rèn)為人的命運(yùn)一般由兩部分組成：造化賦予人的命運(yùn)和人自身對(duì)命運(yùn)的態(tài)度。本論文的正文論述將從三個(gè)角度對(duì)白先勇的命運(yùn)意識(shí)作詳細(xì)分析：第一部分主要是看作者怎樣為主人公安排命運(yùn)的，因?yàn)檫@種安排也反映了作者命運(yùn)意識(shí)的走向，也正是在這樣的安排中我們也能發(fā)現(xiàn)作者的良苦用心。同時(shí)我們又可以發(fā)現(xiàn)作者的精心安排由于他意識(shí)的轉(zhuǎn)變而有所改變；第二部分主要是看作者筆下的人物如何看看待人生，如何來(lái)對(duì)待作者為她們安排的命運(yùn)。從她們的人生態(tài)度里，我們可以看出作者命運(yùn)意識(shí)流變的全景。盡管安排人物命運(yùn)和人物的人生態(tài)度都是出自作者筆下，反映的卻是作者的態(tài)度和意識(shí)。第三部分主要是從作者的寫作方式和角度看作者命運(yùn)意識(shí)的轉(zhuǎn)變，這往往最能說(shuō)明作者的意圖。本文主要是論述白先勇在小說(shuō)創(chuàng)作過(guò)程中流露出的命運(yùn)觀的轉(zhuǎn)變。付費(fèi)論文，節(jié)選，不要罵我。敬請(qǐng)關(guān)注，我在想辦法搞整篇論文。[2006.8.25] : 對(duì)不起大家了,今天才想起這事來(lái),付費(fèi)論文太貴了,只好推薦一篇免費(fèi)的論文:漢語(yǔ)言文學(xué)畢業(yè)論文(免費(fèi))
Abstract
Great writer by all means melt into the individual experience personallies of the life in his work, and great of destiny consciousness that mind that work also by all means reflect the author to disillusion. the writer Baixianyong is with his work doubtless now this point. Baixianyong is implicit in his work, from investigate to mature, under the contrast analysis that have the text of the representative this, we can clearly discovers baixianyong destiny consciousness from the Disunderstanding to come to, and be arrived by exhaustedly to the disillusion, from the frustrate the destine, and be arrived by vehemence mild change of trace. The destiny that author think the person is general to be constituted by two parts: The nature that build the destiny gives the person with the person's oneself attitude towards destiny. Text that destiny consciousness that this thesis discuss will from three angle dialogues Baixianyong make the detailed analysis: The first the part primarily see the author to how line up the destiny for host public security official of, because this kind of the arrangement also reflected the author destiny the consciousness's alignmented, and also exactly at the arrangement that like this inside we also can author is discovered good and bitter diligently. We can again discovers author of with meticulous care arranging because of the change of his consciousness at the same time but have the changes; The second part primarily is which see author's style of writing how person is seen act towards people to living, and how to come treating the author the destiny that arrange for them. From the attitude of their human life, we can see the author destiny consciousness the panorama that change. Despite human life attitude that arrangement person the destiny all come from the author's style of writing with the person, and reflect of however is the author's attitude with the consciousness. The third part is to primarily is a method from the composing of author to see the author destiny the consciousness's change with angle, and this can usually and most explain the author's intention. This text primarily discusses the baixianyong the change of the destiny that show unintentionally in the cloak-and-dagger artistic process.
關(guān)鍵詞：命運(yùn) 意識(shí) 轉(zhuǎn)變 key words：Distiny Consciousness Change 論文出處(作者):
訓(xùn)詁學(xué)性質(zhì)研究述評(píng)
漢語(yǔ)言文學(xué)畢業(yè)論文寫作內(nèi)容及要求
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