иԇxL(zhng)y
ϱ(li)](mi)L(zhng)yӵиxдľL(zhng)yˎҸõĽxL(zhng)y䣬СL(zhng)yһ!
иxL(zhng)y(1)
҂(li)@һ(g)ӣ
The ice shelf cores, with a total length of 215 meters (705 feet), were long enough to penetrate through glacial ice—which is formed from the compaction of snow and contains air bubbles—and to continue into the clear, bubble-free ice formed from seawater that freezes onto the bottom of the glacial ice. (53, OG)
penetrate /'penɪtreɪt/ v. M(jn)^(gu)ij;M鲼
compact /kəm'pækt/ v. (ij)oһ
Ƿֽ羀ԼŶ
The ice shelf cores, (with a total length of 215 meters(705 feet)),were long enough (to penetrate through glacial ice)—(which is formed from the compaction of snow and contains air bubbles)—and (to continue into the clear, bubble-free ice) (formed from seawater)(tha tfreezes onto the bottom of the glacial ice. )
ҿl(f)F(xin)ҰѾӲ֮Ո(qng)м(x)ҵķ
һ (with a total length of 215 meters(705 feet))~Z(y)the iceshelf coresɷһźŶ
ģL(zhng)215(705Ӣ)
(to penetrate through glacial ice)^Z(y)(dng)~
ģ
(which is formed from the compaction of snow and contains air bubbles)ľ䣬glacial iceɷһźŶ
ģɉsѩγɵIJ
ģ(to continue into the clear,bubble-free ice)^Z(y)(dng)~
ģ^m(x)M(jn)峺](mi)Кݵı
壺(formed from seawater) ^Z(y)(dng)~the clear, bubble-free ice
ģɺˮγ
(that freezes onto the bottom ofthe glacial ice.) ľ䣬seawater
ģڱײ
ɣ̖(ho)The iceshelf cores were long enough^Z(y)g~Z(y)with a total length of 215 meters (705 feet)_(ki)Ҫע
g
L(zhng)215(705Ӣ)ıܺԴ(ɉsѩγɵIJ)ıS峺](mi)Кݵı@Щڱײĺˮγɵ
@(g)ӵҪɷ־ǽ~Z(y)^Z(y)(dng)~ľ䣬҄(w)ÿһ(g)ɷʲôܿ@(g)ӵĽY(ji)(gu)
иxL(zhng)y(2)
҂(li)@һ(g)ӣ
Her dancing also attracted the attention of French poets and painters of the period, for it appealed to their liking for mystery, their belief in art for art’s sake, a nineteenth-century idea that art is valuable in itself rather than because it may have some moral or educational benefit, and their efforts to synthesize form and content. (57, OG)
appeal v.;((du)ij)~to sb; (ʹij)dȤ;V
for one’s sake…ľ
synthesize/ˈsɪnθɪˌsaɪz/v. ϳC
@Ƿֽ羀ԼŶ
Her dancing also attracted the attention (of French poets and painters) (of the period), (for it appealed to their liking for mystery, their belief in art for art’s sake, (a nineteenth-century idea that art is valuable in itself rather than because it may have some moral or educational benefit),and their efforts to synthesize form and content.)
һ(of French poets and painters)~Z(y)the attentionעӢϲgɷַں@(g)Ҫ
ģ(gu)Ԋ(sh)˺ͻ
(of the period) ~Z(y)French poets and paintersҲǷںŶ
(a nineteenth-century idea that art is valuable in itself rather than because it may have some moral or educational benefit)ͬλZ(y)Á(li)f(shu)ǰ.belief@(g)ͬλZ(y)Z(y)@ָԭҔĕr(sh)Ҫע⡣
ģһ(g)19o(j)˼룺ˇg(sh)(li)ĵ»Ѓr(ji)ֵ
ģ(for it appealed to their liking for mystery, their belief in art for art’s sake , and their efforts to synthesize formand content.)ľʾԭעҰͬλZ(y)ȥ(?yn)鲻?@ӸܿҪ(ni)@һ(g)нY(ji)(gu)һ(g)A, B, and CY(ji)(gu)֪ڿĕr(sh)Л](mi)п(li)A= their liking for mysteryB= their belief in art for art’ssakeC= their efforts to synthesize form and contentZ(y)B
ģ?yn)?du)صϲ?yu)ˇg(sh)ˇg(sh)Լʽ̓(ni)ںϵһŬ
ɣ̖(ho)Her dancing also attracted the attention
g
赸߀ˮ(dng)r(sh)(gu)һЩԊ(sh)˺ͮ(hu)ҵע?yn)?du)صϲá?yu)ˇg(sh)ˇg(sh)(@һ(g)19o(j)˼룺ˇg(sh)(li)ĵ»Ѓr(ji)ֵ)Լʽ̓(ni)ںϵһŬ
@(g)ӵҪɷ־ǏľͬλZ(y)҄(w)ÿһ(g)ɷʲôܿ@(g)ӵĽY(ji)(gu)
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